Harp & Altar
POETRY

Shane Book is a graduate of the University of Iowa Writers’ Workshop and was a Wallace Stegner Fellow at Stanford University. His awards include a New York Times Fellowship in Poetry, an Academy of American Poets Prize, and a National Magazine Award. He teaches at Stanford and is producing and directing the documentary film Laborland.

 

Adam Clay is the author of The Wash (Parlor Press, 2006). He lives in Michigan.

 

Josh Dorman’s work has been exhibited in solo shows at galleries including 55 Mercer, The CUE Foundation, and Pierogi in New York, George Billis in Los Angeles, and Hallwalls in Buffalo. His work has also been included in group shows at the Drawing Center, the National Academy Museum, the Islip Art Museum, and Hunter College, among others, and has been exhibited internationally, in Traun, Austria, and Leipzig, Germany. He received his MFA from Queens College in 1992 and has been granted residencies at Yaddo and the Millay Colony. Images of his work are available at www.joshdorman.net.


A Canadian currently living in Brooklyn, Corey Frost's stories have appeared in Matrix, Geist, The Walrus, and other magazines. He was named the Best Spoken Word Artist in 2001 by the Montreal Mirror. He is currently writing a book about spoken word scenes around the world as part of a doctoral dissertation. A CD of his performances, Bits World: Exciting Version, is forthcoming. His books include The Worthwhile Flux (2004) and My Own Devices: Airport Version (2006), both published by Conundrum Press.

 

Sarah Gridley received her MFA in poetry from the University of Montana. She is the author of Weather Eye Open (University of California Press/New California Poetry Series, 2005) and is currently a Visiting Lecturer in Poetry at Case Western Reserve University in Cleveland, Ohio.

 

Elise Harris is a freelance writer living in Brooklyn. Her profile of the poet Noelle Kocot appeared in the first issue of Harp & Altar.

 

Joanna Howard's work has appeared in Conjunctions, Chicago Review, Quarterly West, Western Humanities Review, Fourteen Hills, and elsewhere. Her chapbook In the Colorless Round, illustrated by Rikki Ducornet, was published in 2006 by Noemi Press. She received her Ph.D. in creative writing from the University of Denver in 2004 and currently lives in Providence, where she teaches at Brown University and is an editor for Encyclopedia Project.

 

Steve Katz was one of the founders of Fiction Collective (now FC2). He has taught creative writing at Cornell University, Brooklyn College, Queens College, the University of Iowa Writer's Workshop, the University of Notre Dame, and the University of Colorado at Boulder, from which he retired in 2003. He's also tended bar, worked construction, waited tables, and mined for mercury. His books include Creamy & Delicious, Wier & Pouce, Florry of Washington Heights, Swanny's Ways, Saw, Moving Parts, and Stolen Stories. His most recent books are the novel Antonello’s Lion (Green Integer, 2005) and the collection Kisssss?, which is forthcoming in 2007 from FC2. The stories in this issue are from an ongoing project of memoirs titled Memoirrhoids.

 

Joanna Klink's second book, Circadian, is forthcoming from Penguin in 2007. She teaches poetry at the University of Montana.

 

Michael Newton is a current MFA candidate at the Cranbrook Academy of Art in Michigan, though his artwork is kind of hard to explain. His gallery reviews also appeared in the first issue of Harp & Altar.

 

Peter O'Leary's book of criticism, Gnostic Contagion: Robert Duncan & the Poetry of Illness, was published in 2002 by Wesleyan. A new book of poetry, Depth Theology, appeared last year from Georgia. He lives on the West Side of Chicago, in Berwyn.

 

Katie Peterson was born in California. She is the Robert Aird Professor of Humanities at Deep Springs College in Deep Springs, California. Her book of poems, This One Tree, won the New Issues Poetry Prize and was published in 2006 by New Issues/Western Michigan University Press.

 

Johannah Rodgers is a writer who lives in Brooklyn. Her chapbook Necessary Fictions was published by Sona Books in 2003, and her short stories and essays have appeared in Fiction, CHAIN Arts, The Brooklyn Rail, Pierogi Press, and Fence. Her book sentences, a collection of stories, essays, and artwork, was published this year by Red Dust Press.

 

Brandon Shimoda’s writings appear in recent or forthcoming editions of MiPOesias, Free Verse, Practice, Washington Square, Xantippe, the tiny, and elsewhere. He has projects forthcoming from both Corollary Press and Flim Forum Press. He currently teaches at the University of Montana in Missoula, where he also curates the New Lakes reading and performance series.

 

Kate Schreyer is currently studying fiction in the MFA program at the University of North Carolina at Greensboro.

 

Michael Zeiss’s story “Notes Toward a Supreme Action Movie” appeared in the first issue of Harp & Altar.

Said
Joanna Klink

Said of them who went to the village for sun or quiet and found quiet.

Said of them who slipped into another’s house and spoke in low notes so as not to be

 

announced. In all their concealment the house in stone

 

________________________

 

chipping off the slough of months, the house in stone and its indiscernible

track inside their chests like the dust from the stone walls and its indis-

 

cernible track on their lips and wrists, said of them who knew the days were brief

 

though they announced a life went to buy pears from wooden carts

and went to buy bread from the old woman in the store with iron grates

 

________________________

 

or lemon tarts to be eaten in the stone house to which they fled with their books in hopes of

home in all their concealments from each other said I will be here.

 

Who heard them heard through the silence of thick stone the smaller silence inside

and the occasional shoe-pat from the sidewalk or heater-knock, for it was still winter

 

despite the nearby sea and sun, the thinning forms of themselves as they spoke or ate or

read grow

 

________________________

 

full in the fullness of that measure said to touch those who have passed through long

pain and seen themselves under the fine white dust of certain ceilings

 

as they are, alone, with their impulse to conceal what has grown dense in proportion to the

                                                                                                daily disappointments went

 

on in that house as the weather warmed and the street-stones warmed under the fretted

red roofs feeling I will be here. How many of you would have stayed

 

________________________

 

knowing some conviction of inner emptiness was made raw by the presence of each other

and spared only by the presence of each other in fractions of hard gray-


                breaking ten-century-old


                stone in bits and


                dusts from the very

 

walls and words in patterns they spoke with the old-sweet shyness held in each

 

throat beneath each hour marked twice, once by the village church-bell peal and once by a

distant village church-bell peal’s delay?

 

Said of them who went to the village: they were there.

As one who prays might press his head to stone.